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This innovation eventually became the industry. Engine monitors depend on numerous temperature. In fact probe failures can easily be confused with. Only the G Series has a probe diagnostic. Manufacturing G. Insight's 6. C Graphic Engine Monitor (G3) color- coded bargraph. Primary for CHT , EGT and TIT. All. other data shown in cyan at the top of display are to be. Traditional multi- cylinder exhaust gas and cylinder head. Using the latest computer. G3 presents a clear, concise, graphic. Never before has so much engine diagnostic information been. Insight's latest G3 automatically records flight temperature. MFD’s. The data- log. SD card can be easily retrieved by the. The G3 is a sophisticated tool for engine management. Its. microprocessor performs many tasks that used to be handled. One of the basic functions performed by the G3. What is important is the exhaust. But peak EGT is not a constant; it changes with. Fahrenheit are quite meaningless. The real objective of mixture management is finding a. EGT/Fuel Flow Curve. As we will see later, this abstract. G3's microprocessor which. EGT's for all cylinders many times a second and. This capability allows the pilot to operate. It is generally known that EGT can be a valuable source of. One of the basic principles of EGT. EGT and CHT). achieve equilibrium in an engine operating at a constant. What is often overlooked is that. The Graphic Engine Monitor (G3) is ready to operate the. Within seconds after. EGT bar graph columns will. G3 display. Each column corresponds. Exhaust Gas Temperature (EGT) of a cylinder. The. lowest exhaust gas temperature that can be displayed by the. G3 is 8. 00° F. In some engines, the throttle will have to be. EGT indication for. As the cylinder heads begin to warm up, the. Cylinder Head Temperature (CHT) for. EGT column. A. horizontal red line across each column represents the. CHT. Digital numbers below each bar graph. EGT and CHT for each cylinder. G4 Twin Buss Voltage. The G4 Buss Voltage attempts to display the buss voltage in. In an aircraft with a 1. V electrical system the Buss Voltage. V. to 1. 4. 9. V (inclusive). In an aircraft with a 2. V electrical. system the Buss Voltage will be annunciated in green so long. V to 2. 8. 7. V (inclusive). Below this. range the alternator isn’t charging the battery and above. Buss Voltage will be. The instrument must be connected to the. Buss Voltage to indicate in red. Controlling the G3 instrument. The instrument has two. The top knob in general controls screen. Each screen assigns its own functional needs. A. screen may also label the controls with guidance information. Push to exit”. The Bar- Graph Display Screen. The Exhaust Gas. Temperature is displayed in white bar graph form and is. The higher the bar, the higher the temperature. The cylinder head temperature is displayed in green single. During normal operation it shows as a green. Since. EGT is normally higher than CHT, the green bar which. CHT is on top of the white illuminated EGT bar. However, when the engine is. EGT quickly drops to zero and the cylinders. The G3 provides a reliable indication of cylinder head. Should an EGT. probe fail, the entire EGT column for that cylinder will go. CHT bar will still remain green. The failure. of one probe will not affect the display of any other probe. An Easy Upgrade. A key requirement of the G3 design was compatibility with. GEM’s. We strive to never leave our loyal customers. Packing all the functionality of the G3 in package. GEM took us to the limit of. Fortunately its. amazingly compact circuits will be built by robotic machines. Products like the modern cell. AVWeb Insider - New. Insight Engine Monitor and So Much More. By Rick Lindstrom. Insight the originator of the Graphic Engine Monitor surprised. GEM called G3 at. Sun n Fun. By no means a luke warm sequel the G3 is. Featuring a bright full color display it offers numerous screens. While the original lean screen is gone a vastly improved screen. G3 logs data to readily available SD digital camera cards. A low. cost card will store decades of flight data. The new G3 writes. PC compatible files and directories so no special software is. Its extensive data log. Insight’s TAS- 1. GPS. Despite its enormous capabilities the new G3 is. GEMs. Insight offers a generous GEM trade- in to make upgrades. Restarting The Leaning Process. Restart the leaning. G1 by short push. Restart the leaning process and resetting. G2/3/4 single by a short push of the SEL. Holding the SEL knob for about 3 seconds on G4 twin. Probe Screen. The. Need for better Diagnostic Tools. Even the first GEM could detect an open probe and blank its. Over the years by helping owners and their mechanics. I developed a new. Troubleshooting avionics is an expensive and time- consuming. Often times the procedure requires access to the. This might. take hours of instrument panel disassembly just to touch the. We needed something better, easier to use, less time. Why not have the instrument diagnose itself? Then you don’t have. This is. not as easy as it might seem. Adding resistance measurement. I considered this. GEM- 6. 10 second. It would at least add a second PC board. GEMINI twin version. Even if we endured these problems to get. So I abandoned it then, but revisited again this time. The new. color display was certainly adept at displaying the information. So this time I was able to invent a new way of measuring. The simple idea worked beautifully without adverse. It was so simple in fact even I was. Without this simple breakthrough we’d still be diagnosing things. So what does the diagnostic system do? The probe diagnosis page indications are in. Each temperature probe consists of two wires, a. The two. numbers next to each identifier show the. Ohms of each lead. For example, the line EGT1 8 3 means the. EGT1 probe has 8 Ohms. Ohms. resistance. When the probe is new, it will have relatively. As the probe ages, it’s resistance will slowly. Eventually, the probe will measure. One other point to consider is that the longer. Every foot of EGT wire adds 1. Ohms/ft for the. + lead and 0. Ohms/ft for the - lead. Every. foot of CHT wire adds 0. Ohms/ft for the + lead. Ohms/ft for the - lead. A 2. 4 ft harness will fail the criteria that an 8. That is why we allow. The meaning of the. R MAX sets the maximum resistance (in Ohms) that. If the R MAX is set to. Ohms a probe with either the positive or. Ohms. will be annunciated in RED, otherwise its. GREEN. R DIF sets the maximum resistance (in Ohms) that. If R DIF is set to 1. Ohms, the positive. Ohms of each other to be annunciated in GREEN. RED. EGT Variation Screen - View. Mag Ad. This. is a new form of engine analysis. Some valve related engine faults produce a slow periodic. EGT. The oscillation rate is on the order of one cycle every minute. This is just too slow to be identified by occasional. Yet it is very important. It readily appears in a slow. Temperature samples are collected once per second for each. The entire sample interval is. A normal indication will be a flat line with a. Vibration Screen. New Capabilities for the Next Generation G3 GEM. If you take a step back from the EGT/CHT idea to explore engine. EGT analysis reveals. By the time a mechanical problem shows up in EGT, if it ever. Vibration analysis is the key to pre- emptive detection of. Following the update of the G3 Graphic Engine. Monitor to V1. 7. Vibration Analysis screen will. PG knob is. turned. In order for the vibration analysis to function your G3. RPM measurement. If. September 2. 01. 1, Insight. The Diesel Garage - A Performance Diesel Site. Boost. - For the most accurate boost reading, and also not to take chances. This is very simple. Before you remove the intake. 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In a medievalhall, the hearth commonly stood in the middle of the hall, with the smoke rising through the room to a smoke hole in the roof. Later, such hearths were moved to the side of the room and provided with a chimney. In fireplace design, the hearth is the part of the fireplace where the fire burns, usually consisting of masonry at floor level or higher, underneath the fireplace mantel. Archaeological features[edit]. Late medieval tile hearth and associated floor. Dutch style kitchen hearth in Hofwijck mansion, Voorburg, Netherlands. The word hearth derives from an Indo- European root, *ker- , referring to burning, heat, and fire (seen also in the word carbon).[1] In archaeology, a hearth is a firepit or other fireplace feature of any period. Hearths are common features of many eras going back to prehistoric campsites, and may be either lined with a wide range of materials, such as stone, or left unlined. StoneLux Stone Coating is a range of stone effect paints available in a variety of shades. The look, feel and quality of natural stone. Create stunning stone effect. Hello there! I am finally ready to share with you the much anticipated DIY concrete fireplace tutorial. By way of background, in case you have not already read about. ![]() They were used for cooking, heating, and the processing of some stone, wood, faunal, and floral resources. Occasionally site formation processes—e. Lined hearths are easily identified by the presence of fire- cracked rock, often created when the heat from the fires inside the hearths chemically altered and cracked the stone. Often present are fragmented fish and animal bones, carbonizedshell, charcoal, ash, and other waste products, all embedded in a sequence of soil that has been deposited atop the hearth. Unlined hearths, which are less easily identified, may also include these materials. Because of the organic nature of most of these items, they can be used to pinpoint the date the hearth was last used via the process of radiocarbon dating. Although carbon dates can be negatively affected if the users of the hearth burned old wood or coal, the process is typically quite reliable. This was the most common way to cook, and to heat interior spaces in cool seasons. Hearth tax[edit]In the Byzantine Empire a tax on hearths known as kapnikon was first explicitly mentioned for the reign of Nikephorus I (8. AD. Kapnikon was a tax raised on households without exceptions for the poor.[2]In England, a tax on hearths was introduced on 1. May 1. 66. 2. Householders were required to pay a charge of two shillings per annum for each hearth, with half the payment due at Michaelmas and half at Lady Day. Exemptions to the tax were granted, to those in receipt of poor relief, those whose houses were worth less than 2. Also exempt were charitable institutions such as schools and almshouses, and industrial hearths with the exception of smiths' forges and bakers' ovens. The returns were lodged with the Clerk of the Peace between 1. A revision of the Act in 1. The tax was abolished by William III in 1. Lady Day of that year. It was abolished in Scotland in 1. Hearth tax records are important to local historians as they provide an indication of the size of each assessed house at the time. The numbers of hearths are generally proportional to the size of the house. The assessments can be used to indicate the numbers and local distribution of larger and smaller houses. Not every room had a hearth, and not all houses of the same size had exactly the same number of hearths, so they are not an exact measure of house size. Roehampton University has an ongoing project which places hearth tax data in a national framework by providing a series of standard bands of wealth applicable to each county and city. Published lists are available of many returns and the original documents are in the Public Record Office. The most informative returns, many of which have been published, occur between 1. Religion[edit]In Greek mythology, Hestia is the goddess of the hearth, while in Roman mythology Vesta has the same role.[4]In ancient Persia, according to Zoroastrian traditions, every house was expected to have a hearth for offering sacrifices and prayers.[5]Hearth is also a term for a kindred, or local worship group, in the neopagan religion Ásatrú.[6]See also[edit]References[edit]^Online Etymology Dictionary^Haldon, John F. Byzantium in the Seventh Century: the Transformation of a Culture. Cambridge University Press. ^ ab. Gibson, Jeremy. The Hearth Tax, other later Stuart Tax Lists, and the Association Oath Rolls. Federation of Family History Societies. ^Hansen, William F. Handbook of classical mythology. Santa Barbara, Calif.: ABC- CLIO, 2. ISBN 1. 57. 60. 72. Boyce, Mary. A history of Zoroastrianism. Leiden: E. J. Brill, 1. ISBN 9. 00. 40. 88. Rabinovitch, Shelley, and James Lewis. The encyclopedia of modern witchcraft and neo- paganism. New York: Kensington Pub., 2. ISBN 0. 80. 65. 24. Gain early access to developing Adobe technologies including preview and beta software, pre-release plug-ins, related samples, documentation, tutorials and more. Toolbar 2 - aescripts + aeplugins. END USER LICENSE AGREEMENTThis software ("the Software Product") and accompanying documentation is licensed and not sold. This Software Product is protected by copyright laws and treaties, as well as laws and treaties related to other forms of intellectual property. How To Install Adobe Premiere Cs3 Updates For Firefox![]() The author owns intellectual property rights in the Software Product. 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You may not use, copy, or install the Software Product on any system with more than one computer, or permit the use, copying, or installation of the Software Product by more than one user or on more than one computer. If you hold multiple, validly licensed copies, you may not use, copy, or install the Software Product on any system with more than the number of computers permitted by license, or permit the use, copying, or installation by more users, or on more computers than the number permitted by license. Make visually stunning videos virtually anywhere with Adobe Premiere Pro CC. Create professional productions for film, TV, and web. Join today. · UPDATE: I think the problem was with my existing CS3 install. I tried uninstalling it (via Add/Remove Programs) and nothing would happen. I'd check the Task Manager. You may not decompile, "reverse- engineer", disassemble, or otherwise attempt to derive the source code for the Software Product. Restrictions on Alteration. 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To the extent any express or implied restrictions are not permitted by applicable laws, these express or implied restrictions shall remain in force and effect to the maximum extent permitted by such applicable laws. ![]() How to Keep Your Podcasts Synced Between Devices. This question is part of the Ask Lifehacker advice column, where Lifehacker staff answers readers’ burning questions with practical tips. After all, some of the best hacks are borne from the most annoying problems. Dear Lifehacker: As a user of both Android and i. OS, is there a way to have my podcast feed synced between both i. OS and Android and be able to just start listening where I left off on either device? I think Stitcher might be the only option for this, but having Amazon Echo as well, it would be nice to ask my Echo to play where I left off as well. Thanks for the great work and any help you can provide! Darrell. Dear Darrell: Hi, Darrell! As an avid podcast listener and owner of both i. OS and Android devices, I feel your pain. Starting your favorite podcast on one device and finishing it up on another shouldn’t feel like rocket science. And while I’ve got a Google Home, I also use my voice assistant to play the latest episodes of my favorite shows. Here’s how you can, too. Try Pocket Casts for Cross- Platform Syncing. Some podcast apps allow you to listen on either i. OS or Android, as well as the web. Luckily, you can easily sync your podcasts between the two mobile operating systems if you use the right app. There aren’t many options to choose from, but you’ve already named one. Stitcher is indeed useful for multi- platform listening, and syncs your podcasts and listening position across devices. Podcasts have become one of the best forms of entertainment around, but it’s tough keeping track of …Read more That being said, I find podcast app Pocket Casts more user- friendly and reliable than Stitcher. The cross- platform app can sync your podcasts between your i. OS and Android devices, supports controls via Android Wear and Apple Watch wearables, and even offers a web- friendly experience (after a one- time $9 fee). What’s more, you can schedule your podcast updates to happen either over Wi. Fi or overnight, adjust playback speed, and build your own playlists either manually or using filters. Unfortunately, while it supports playback via Google Home, there’s no support for Amazon Echo yet. Podcast Listening via Voice Assistants. Now, about your listening to podcasts through your Amazon Echo. It’s pretty easy to get your Echo to start playing the latest episode of your favorite show—perfect for news podcasts—but a bit more complicated to listen to a show’s back catalog. Echo gets its podcast list from Tune. In, which features over 5 million podcasts in its repertoire. You can use the Alexa app to control Tune. In podcasts on your phone, but the interface is terribly organized and features obscure categories mixed in with more traditional podcast genres. It’s not exactly a joy to use, but you can search for podcasts by name and pick the episode from there. Want to listen to your favorite fictional community radio podcast? Just say “Alexa, play ‘Welcome to Night Vale’ podcast” to play it on your Echo. If you need to go back you can ask it to play the previous episode, but you can only advance (or rewind) one episode at a time. It won’t remember your place or sync with your other devices, however, so if you decide to revisit your podcast listening at a later date you’ll be back to where you started. ![]() Bluetooth Is Always an Option (Unless it’s Not)Now you can ask Alexa to set the mood for you. Read more Of course, you might want to listen to an episode released a few weeks back. If you want more control you can use your own podcast app, in this case Stitcher or Pocket Casts. How do you get it to play on your Echo? Simple: pair your phone and Echo via Bluetooth. The weekend is for press conferences about video games. Also, maybe playing some video games, but probably just hearing about new ones. Tell your Echo to “pair Bluetooth” to have it connect to your smartphone. From there you can treat your Echo like a normal speaker. You won’t be able to control playback with your voice, but at least your podcasts are booming through your living room. While Google Home doesn’t support Bluetooth playback (yet), you can also play your podcasts by asking your virtual assistant. If you ask it for the latest episode of Lifehacker’s The Upgrade, it’ll start right up. You can also play podcasts using supported podcast apps like Pocket Casts. Just say “Hey Google, play Kotaku Splitscreen from Pocket Casts” to enjoy some riveting conversation about Final Fantasy XII (I assume you’re a fan of Final Fantasy XII). Yeah, there’s much to be done when it comes to syncing podcasts on every audio- friendly device, but right now a combination of the right voice assistant plus the right podcast app should solve your podcast syncing woes. Want to ask Lifehacker a question? It’s pretty simple! Email patrick. austin@lifehacker. Ask Lifehacker” along with your question. Broad questions are best! For example, while we probably won’t answer pointed ones about how to fix your Black. Berry Bold’s headphone jack, we can help you find a new phone, figure out which headphones fit your lifestyle, or decide if you actually need a physical keyboard instead of a touchscreen. Everyone is freaking out about the season seven premiere of Game of Thrones—and you’re totally behind. Don’t worry, you can catch up and be ready to watch with. Featured Posts. Welcome to Camp Disney Family. 5 Tips for a Day at the Disneyland Resort with your Toddler. How to Have an aDORYable Summer. Disney Crafts and Recipes. The Story So Far: Fiction Podcasts Take Their Next Steps“We’re starting to get away from the idea of the old- school radio drama with a capital R and a capital D,” said Julie Shapiro, the executive producer of the podcast network Radiotopia. In its place, she said, “a more contemporary sense is developing of what audio fiction can be.”Photo. Catherine Keener plays a therapist on “Homecoming,” Gimlet Media’s first fiction podcast. Credit. Henny Garfunkel for The New York Times The audio storytelling renaissance has been a long time coming. ![]() · A young medium is learning a more sophisticated way to tell tales. Unlike in Britain, where audio drama is a fixture — a daily radio soap, “The Archers,” has been airing on the BBC since 1. American audio drama peaked in radio’s golden age, from the 1. Then television came along and sucked everybody away,” Mr. Blumberg said. “Radio drama calcified right where it was.”The innovation of the podcast — a digital, downloadable, listen- whenever- you- like format — has opened up audio storytelling to upstart creators, who can offer their products to a global audience without any backing from a radio station. Yet, about 1. 0 years in, fictional podcasts are still finding their footing as a form. Genre fiction is overrepresented, partly thanks to the lasting influence of the most famous radio dramas (like Orson Welles’s “The War of the Worlds”) and to the demographic overlap between early tech adopters and fans of geek culture. And then there’s the popularity of meta story structures — narrative conceits that help to frame the tale. Welcome to Night Vale,” a darkly funny podcast about a town where every conspiracy theory is true, takes the form of a community radio program, so listeners feel as if they’re just tuning into the broadcast. Last year, a collection of science- fiction podcasts — including “Limetown,” “The Black Tapes” and “The Message” — all borrowed elements from the true- crime series “Serial.” Each features a Sarah Koenig- esque reporter who’s running down a story that turns spooky. Just as stage plays once opened with explanatory prologues and early novels were told through letters, these conceits provide listeners with a familiar format that helps warm them up to the somewhat alien idea of fiction through their headphones. Nobody watches ‘CSI Miami’ and says, ‘Wait, why is there a camera in that police office?’” said Mr. Blumberg. “We suspend our disbelief.”“Homecoming” drops the act. While the series, which Mr. Horowitz wrote with the screenwriter Micah Bloomberg, plays with native audio elements (like phone calls and interview tapes) — most of the time we’re just listening in, no explanation necessary. So while “Homecoming”— in addition to Ms. Keener and Mr. Isaac, it also stars David Schwimmer, David Cross and Amy Sedaris — is billed as a psychological thriller, it feels more experimental than the thrillers we’re used to watching on film. A distaste for cliché stopped Mr. Horowitz short of inserting a metanarrative structure to hold the listener’s hand, and the audio format prevented him from structuring his story around physical action.“In a way, the whole plot came out of that challenge,” he said. I wanted a whole plot where the actual meat of the story was the conversation.”In “Homecoming,” therapy sessions between Ms. Keener and Mr. Isaac, and phone calls between Ms. Keener and her boss, played by Mr. Schwimmer, swirl just around the edges of the central mystery of the story line, twisting closer and closer until its secrets are revealed. The audio- only form frees the story to play with disorienting notions of time, place and identity that might not be possible on film. The podcast also features sound design by Mark Phillips — who worked on “Serial” and a suite of indie films — that makes it sound more like a movie than the piped- in sound signature of the typical radio drama. Instead of having actors speak into a microphone — a technique used by a lot of early podcasts — Mr. Phillips directed the sound as he would for a narrative film. After an early pilot of the podcast seemed full of dead air, Mr. Horowitz worked in new soundscapes throughout the series. For one scene, Mr. Phillips created a rolling, creaking Ferris wheel that sounds as if it were carrying Ms. Keener and Mr. Schwimmer in and out of the bustle of a street fair. And creating the sound of characters moving as conversations whiz by required him to record noises on location (residents chatting at a retirement home, plates clanging at a diner) and take actors outdoors for external scenes.“There’s no way to really fake that,” Mr. Phillips said. But the key to creating a realistic sound lies with the acting. At the heart of great audio is real emotional truth. I think you can hear it even when you can’t see it,” said Mr. Blumberg. And unlike in a film or television show, there are no visual tricks to support a fine performance in a fictional podcast, or to help hide a poor one. While these newly ambitious podcasts may constitute big projects for people working in audio, they can feel delightfully indie to film actors. It felt like making a play for our parents in the garage,” Ms. Keener said. Plus, the commitment is slight. Ms. Keener recorded for a week; Mr. Schwimmer for just a day. When Ms. Keener convinced Mr. Isaac to come on board, “I said ‘There’s no money,’ and he said ‘Great. Of course. I’m in.’”Photo. Oscar Isaac plays an Army veteran in “Homecoming.”Credit. Monica Almeida/The New York Times Gimlet is one of several companies pushing podcasts forward. The creators of “Welcome to Night Vale” introduced their own fiction imprint this year, Night Vale Presents. Initial offerings include “Within the Wires,” a tale told through relaxation tapes, and “The Orbiting Human Circus (of the Air),” a sprawling project that takes the form of a bizarro variety show; features John Cameron Mitchell, Mandy Patinkin, Charlie Day and Tim Robbins; and was created by Julian Koster of the band Neutral Milk Hotel. Panoply, the podcasting company that produced “The Message” in partnership with General Electric this year and is releasing the techno- sci- fi parable “Life. After” on Sunday, Nov. Midroll, a podcast network that originally concentrated on improv comedy pieces and interview shows hosted by comics, expanded its scripted offerings this year with “Fruit,” Issa Rae’s tale of a closeted N. F. L. player; and “The Mysterious Secrets of Uncle Bertie’s Botanarium,” starring Jemaine Clement (of “Flight of the Conchords”) as a kookily fictionalized version of the 1. Lord Joseph Banks. It recently debuted “A Night Called Tomorrow,” a noirish comedy by James Urbaniak set in 1. Hollywood. And next spring, the creators of “Limetown” will start their own all- fiction podcast network. First up: a full- length podcast musical centering around a husband and wife hoping to save their marriage by answering those viral 3. I think there’s still some surprise in the industry that there’s an audience for fiction at all,” said Chris Bannon, Midroll’s chief content officer. Middling efforts have burned listeners in the past — “The fakeness of bad audio fiction is really a turnoff,” he said. Creating a hit means a sizable stake in a genre without a clear audience. That audience needs to be willing to invest in the podcast, too. Most nonfiction podcasts are convenient for workouts or commutes, where tuning out for 1. But in a densely plotted fiction series, 1. In piloting the series, Gimlet found that its scripts were initially too long to expect listeners to sustain that level of attention. Episodes of “Homecoming” now clock in under 3. We’re trying to explore what the form can be,” Mr. Horowitz said, “while also trying to be conscious of what it is now.”He’s betting the audience is ready to listen. He’s already at work on Season 2. Continue reading the main story. Buy Adobe Animate CC | Flash & 2. D Animation Software. Adobe Stock built right in. Spend less time searching and more time designing with millions of high- quality images, graphics, videos, 3. D assets, and our Premium collection inside your apps. With templates for web, print, mobile, and more, you can dive right in to creating. Creative, marketing and document management solutions. 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